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From boxing and Raging Bull to soccer and Bend it Like Beckham, the sports film stands at the interface of two of our most important cultural forms. This book traces the history of the sports film, from Harold Lloyd's The Freshman in 1925 to the present day, and considers the social forces that have influenced the representation of sport in film, from the codification of sport to globalisation. It is the first sustained and rigorous examination of the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students of sport, film, media and culture.